B55

Four Figures from the Meissen Series of the Five Senses

Meissen Models by Johann F. Eberlein, Meissen 1745; molded and painted shortly thereafter / on fire-gilt bronze mounts

Provenance: Collection of Baron Gustave de Rothschild (1829–1911). Remained in the family until sold at Porcelaines provenant de l'ancienne collection du Baron Gustave de Rothschild, Hôtel Drouot (Etude Couturier Nicolay), Paris, June 20, 1991, lot 16.

Hearing: Height: 29.1 cm (with mount) / Model number: 1062 / Eberlein's work report, August 1745 (Acevedo I, p. 205): "3. Made another figure of the five senses, representing hearing, namely, a woman playing the lute and a deer beside her, also belonging to the Russian commission." / Cf. Nyfeler Collection, no. 69

Smell: Height: 29.7 cm (with mount) / Eberlein's work report, September 1745 (Acevedo I, p. 217): "A figure from the five senses, representing smell, with a dog, made for the Tsarina."

Touch: Height: 28.6 cm (with mount) / Model number: 1136 / Eberlein's work report, October 1745 (Acevedo I, p. 207): "1. A figure from the five senses, representing touch, depicted as a woman with a crab and a tortoise, made for the Russian commission." / Cf. San Francisco Art Museum

Our version, featuring a pecking parrot instead of a crab, was made by Eberlein shortly thereafter.

Taste: Height: 28.9 cm (with mount) / Eberlein's work report, October 1745 (Acevedo I, p. 217): "A similar figure [of the five senses], representing taste, depicted as a woman eating, with a monkey holding a bowl of fruit, though not entirely completed."

The Meissen series of the Five Senses was created by Eberlein in 1745. The idea for the series originated with Empress Elizabeth Petrowna (1709–1761), a passionate lover of Saxon porcelain, sparked by gifts from Augustus the Strong to the young princess (the Elizabeth Service) and later from Augustus III to the reigning Empress Elizabeth (reigned 1741–62). The latter included 190 figures and groups, as well as the famous seven-piece imperial Russian mantelpieces for the reigning Empress and her alliance partner, which likely served as the inspiration for the series.

Impressed by the overwhelming grandeur of this largest porcelain gift from Augustus III, the Empress ordered in Meissen in 1745 the allegories of the Five Senses, which had not yet existed there, as well as the Four Seasons and the Four Continents. In the factory records, the order is respectfully referred to as the "Great Russian Commission." From July to October 1745, Eberlein created the models of the five allegorical figures (as mentioned above).

Literatur

Andres-Acevedo, Sarah-Katharina: Die autonomen figürlichen Plastiken Johann Joachim Kaendlers und seiner Werkstatt zwischen 1731 und 1748., Stuttgart 2023

Berling, Karl: Festschrift zur 200 jährigen Jubelfeier der ältesten europäischen Porzellanmanufaktur Meissen 1710 - 1910., Meißen 1911

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