A29

Large Meissen tankard, painted in underglaze blue by Johann Christoph Horn

Meissen 1721, no mark, 23 cm high (with lid)

Our jug belongs to the group of rare Horn jugs of which only 6 have become known so far (see catalogue of works) - five of them are painted in mixed technique (underglaze blue and enamel colours), one only in overglaze enamel colours. This group is now supplemented for the first time by a jug painted exclusively in underglaze blue. Within these variants, it is still at the beginning of the painting style of Johann Christoph Horn, who came from the blue painting in the Dresden faience factory of his brother-in-law Eggebrecht. It was only under Höroldt, who had hired him away against Eggebrecht's most vehement protest in 1720, that he was able to gain closer experience with the muffle colour technique.

The overall impression of the painting on our jug—with the tall, slender Chinese figures who are speaking, gesturing, and interacting with each other; the style of the ground strip; the border; the floral arrangements; and the birds in the air—is a typical work of the young Horn.

Dating
The staff of Asclepius mark, with which most of Horn’s early porcelains are marked (except for jugs due to their biscuit bases, see the catalogue of works), is the first documented Meissen mark. It is archivally verified by a delivery from the King to the Dutch Palace in February 1722, recorded under this date. Therefore, we date our jug, which corresponds in execution and style to Horn’s early phase, to 1721—prior to the use of this mark.

Literatur

Bursche, Stefan: Meissen – Steinzeug und Porzellan des 18. Jahrhunderts., Kunstgewerbemuseum Berlin 1980

Cassidy-Geiger, Maureen: The Arnhold Collection of Meissen Porcelain 1710 – 50., London 2008

Den Blaauwen, Abraham L.: Meissen Porcelain in the Rijksmuseum., Amsterdam 2000

Pietsch, Ulrich u. Banz, Claudia (Hrsg.): Triumph der blauen Schwerter., Ausstellungskatalog der Staatlichen Kunstsammlungen Dresden. Leipzig 2010

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